It reverberates through the film, like it haunts the lives of its victims, and the movie never shakes it off.
There’s a fairly early scene in which someone is shot, something that happens in movies all the time, except that this scene is one of the most agonizing of its kind that you will ever see.
The film goes beyond the specifics of boxing and becomes a universal story about tragedy and grief. Even when it’s going well, it’s harsh and mean - and in “Southpaw” things don’t go well for long. He’s coughing up blood and walking sideways the next day, and all the wounds on his face, which another film would miraculously clean up, remain with him a third of the way into the movie. Screenwriter Kurt Sutter distills their relationship, their fears and their vision of the future, while the camera stays mostly on their faces, in gently hovering close-ups that take the viewer right into their intimacy.Īnother early hint, a seemingly minor thing, is that even though Billy won the fight, he’s still a mess. The conversation covers lots of ground and goes from tenderness to contention to resolution. This begs the question as to how this more individualized approach will help or hurt more traditional outlets such as movie theatres and even indie outlets who financially depend on the support garnered by these outlets.One of the first hints that “Southpaw” is something special comes in an early scene between McAdams and Gyllenhaal, in which they talk in their bedroom after one of his fights. But what it suggests for the consumption of media moving forward is that consumers can not only be more selective about what they consume, they can also be selective about when and how they consume as well. This is the latest trend in that transformation. Technology has been transforming the lives of everyday people since its early onset.
Bijou movies san antonio full#
With the onset of the COVID-19 coronavirus pandemic, movie theatres, and other public gathering spaces were forced to shut down, thus opening uncharted opportunity for streaming services to take full advantage of people staying at home and taking advantage of their platforms.Īccording to a 2021 Forbes article, “Post-Pandemic Media Consumption: Online Streaming Accelerates A New Content Experience”, “When the Covid-19 pandemic triggered stay-at-home orders and canceled social plans, consumers turned to online media streaming to fill the void…TV/video streaming services touted exclusive content and low prices to lure viewers, and by June 2020, 48% of US online adults had subscribed to at least one streaming service…in June 2020, 39% of US consumers liked the idea of seeing newly released movies on streaming services and planned to continue watching them at home rather than in movie theaters.” From music to films to television, streaming was already making waves through platforms such as Hulu, Netflix, Apple, Disney+, and Peacock. Streaming services have revolutionized every way possible on the consumption of media.
Even after theaters reopened, some moviegoers have been reluctant to return to their seats… operators also are facing mounting competition from streaming services.” Cinemas were closed and film production halted for months. “Beyond that, the ‘art-film dynamic is changing,’ said Andrew Brooks, Santikos’ executive director of marketing and sales… the theater industry as a whole was hit hard by the pandemic. The owner continued to cite the ever-changing dynamic of film distribution as another reason for the sudden closing of the theatre.
0 kommentar(er)
